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Leah Shirley : DANCER

Past exhibition
2 February - 17 March 2024
  • Installation Views
  • Works
  • Exhibition Text
  • Press
Installation Views
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Works
  • A framed cyanotype by Leah Shirley of a single Morning Glory flower.
    Leah Shirley
    Chariot IV, 2023
    Cyanotype on watercolor paper
  • A glass mosaic created by Leah Shirley. This rectangular mosaic features water lilly emerging from a black background, green stem juxtaposing the black glass. Dark red and brown petals of the Lilly are set against a purple/blue sky.
    Leah Shirley
    Water Lily (A new symbol for Scorpio), 2023
    Glass, grout on wood
    16 3/4 x 9 3/4 x 3/4 in
    42.5 x 24.8 x 1.9 cm
  • A framed cyanotype by Leah Shirley of a single Morning Glory flower.
    Leah Shirley
    Chariot III, 2023
    Cyanotype on watercolor paper
  • A framed cyanotype by Leah Shirley of a spiderweb covered in dew drops
    Leah Shirley
    For Ian, 2023
    Cyanotype on watercolor paper
  • A rectangular mosaic by Leah Shirley depicting a green and white hawk moth on a solid brown and black background, little flecks of white and lavender glass dispersed throughout. There is a string hanging from the bottom of the rectangular mosaic with glass beads attached to it.
    Leah Shirley
    Feel Free (Hawk Moth), 2022
    Glass, ceramic, grout, wood, freshwater pearls, silk
    60 x 8 x 3/4 in
    152.4 x 20.3 x 1.9 cm
  • A framed "colorgram" photo by Leah Shirley in light blue
    Leah Shirley
    Freedom, 2013
    Unique cameraless chromogenic print
  • A framed "colorgram" photo by Leah Shirley in yellow-green fading to white
    Leah Shirley
    Aurora, 2013
    Unique cameraless chromogenic print
  • A mosaic sculpture by Leah Shirley in the shape of a moth with black wings. A delicate copper chain extends from the moth's two lower wing edges and stretches to the floor.
    Leah Shirley
    O.U.D. (Luna Moth), 2021
    Glass, ceramic, acrylic, copper, silk, grout, wood
    24 x 25 x 1 in
    61 x 63.5 x 2.5 cm
  • A framed "colorgram" photo by Leah Shirley in white fading into light yellow
    Leah Shirley
    Bliss, 2013
    Unique cameraless chromogenic print
  • A framed "colorgram" photo by Leah Shirley in deep red fading to pink
    Leah Shirley
    Rhythm, 2013
    Unique cameraless chromogenic print
  • A custom discoball by Leah Shirley with mirrors in the shape of small butterflies.
    Leah Shirley
    Kaleidoscope, 2022
    mirror acrylic, mortar, foam, steel, chain, disco ball motor
    32 inch circumference
    81.3 cm circumference
  • A framed cyanotype by Leah Shirley of multiple Morning Glory flowers
    Leah Shirley
    Chariot II, 2023
    Cyanotype on watercolor paper
  • A mosaic featuring three brown flowers by Leah Shirley.
    Leah Shirley
    Something cute (I don't want to worry about aging), 2023
    Glass, grout on wood
    8 1/4 x 9 1/4 x 3/4 in
    20.9 x 23.5 x 1.9 cm
  • A framed cyanotype by Leah Shirley of a dewy morning glory flower.
    Leah Shirley
    Chariot VII, 2023
    Cyanotype on watercolor paper
  • A framed "colorgram" photo by Leah Shirley in fuchsia
    Leah Shirley
    Frequency, 2013
    Unique cameraless chromogenic print
  • A glass mosaic by Leah Shirley featuring lots of small brown glass circles against a red glass mosaic background, with a white square border.
    Leah Shirley
    Scales, 2024
    Glass, grout on wood
    11 x 8 1/4 x 3/4 in
    27.9 x 21 x 1.9 cm
  • A framed "colorgram" photo by Leah Shirley in deep purple
    Leah Shirley
    Mystery, 2013
    Unique cameraless chromogenic print
  • A circular mosaic by Leah Shirley featuring a white "egg" in the center of a black circle.
    Leah Shirley
    World Egg, 2024
    Ceramic, glass, grout on wood
    12 x 12 x 1 in
    30.5 x 30.5 x 2.5 cm
  • A framed cyanotype image by Leah Shirley of a group of Morning Glory flowers
    Leah Shirley
    Chariot VI, 2023
    Cyanotype on watercolor paper
    14 3/4 x 11 3/4 in (framed)
    37.5 x 29.8 cm
  • A framed cyanotype by Leah Shirley of a hummingbird midair
    Leah Shirley
    Drifting, 2024
    Cyanotype on watercolor paper
    11 3/4 x 14 3/4 in
    29.8 x 37.5 cm
Exhibition Text

 

Sibyl is pleased to present DANCER, an exhibition of sculpture and lensless photography by interdisciplinary artist and astrologer Leah Shirley (b. 1988).


Shirley cites light as her primary medium and source of inspiration. Her studio practice is grounded in a study of color darkroom photography, a complex process with which increasingly few photographers are familiar. In a pitch-black darkroom, light itself becomes material. Shirley turns the photographic process in on itself to capture the innate formal qualities of light. 


In her “Colorgrams,” Shirley uses the tools and apparatus of darkroom color photography without a negative to capture images of pure light. She subjects each Colorgram to multiple exposures, using her hands to disrupt and diffuse the stream of light between the light sensitive paper and the color photo enlarger. She embraces indeterminacy in mixing her colors, experimenting to capture certain hues between cyan, yellow, and magenta. She likens this process of nontraditional color darkroom printing to choreography, recalling her own long history as a dancer. Within the strict parameters of color darkroom photography, she finds ample space for exploration and play.   


With a series of cyanotypes Shirley examines the Morning Glory, an entheogenic flower that appears in visual culture throughout history and across continents. The Morning Glory operates as a symbol of unrequited love and mortality, with different cultures associating the flower with ritual communion between the living and the dead. Shirley considers the flower, a common sight around her home in Los Angeles, from an astrological perspective. She likens the five-pointed bloom to the “Petals of Venus,” a pattern created by the geocentric plotting of Venus over an eight year cycle. Shirley imagines this pattern as a dance between Venus and the Sun, as observed from the Earth, itself an object in motion. This formal kinship and repetition of pattern between the terrestrial and celestial strongly inform Shirley’s practice and her search for connection between light and form. 


Shirley’s sculptural practice examines light as well as she sculpts with materials that reflect, refract, and filter light such as copper, glass, and mirror. When activated by light, these objects alchemize into something sacred, imbued with their own power to exponentially change the makeup of a physical space. Two mosaiced swings reading “EROS” and “CHAOS” in cut glass hang from the gallery mezzanine, independent yet adjacent pendulums. Shirley draws from ancient Greco-Roman myth, which names Chaos as the original void state of the universe. Out of Chaos came Gaia, the earth goddess, then Eros, the god of love and passion, and from there came all of existence. Shirley unpacks this foundational connection between Earth, Love, and the Void. In Audre Lorde’s “The Erotic as Power” Lorde calls for a radical embrace of the primordial Erotic, removed from its purely sexual connotations, as a source of strength and emotion as power. With another reference to choreography and movement, Shirley recalls the confluence of energies on rave and nightclub dance floors; a contemporary sacred space becomes a site of ancient ritual as Chaos and Eros swing and swirl between bodies in motion. 

  

In her quest to marry light with tangible form, the artist herself becomes a tool or conduit for an innate feminine power and knowledge derived from the natural world.  


ABOUT LEAH SHIRLEY

Leah Shirley is an interdisciplinary artist working within sculpture, lensless photography, video, and astrology. She was born in Austin, TX and spent formative years in Brussels, Belgium. Her practice weaves together her fascination with the sensuality of materials, beyond-human timescales, the potentials of light and rhythm. Her work as a consulting astrologer informs her practice by bridging the celestial with the terrestrial, playfully mapping connections between the mystery and the mundane. Leah earned her MFA in Sculpture & Extended Media from the University of Texas, Austin in 2022 and her BFA in Photography from Columbia College Chicago in 2011. 


ABOUT SIBYL GALLERY


Founded by Katherine Lauricella Ainsley in 2022, Sibyl Gallery is a contemporary art space in New Orleans dedicated to promoting emerging artists and art practices. Collaborating with artists, patrons, and institutions alike, the gallery aims to continue to diversify and strengthen the New Orleans art community and connect it with the broader international art world. 



Download Press Release
Press
  • An installation image from the exhibition DANCER by Leah Shirley at Sibyl Gallery. The image features a custom disco ball with small mirrors cut into butterfly shapes.

    Leah Shirley: DANCER at Sibyl, New Orleans

    Gabrielle Octavia Rucker, Burnaway, March 7, 2024
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