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I've been here before... : Curated by Shabez Jamal

Past exhibition
29 March - 5 May 2024
  • Installation Views
  • Works
  • Exhibition Text
  • Press
Installation Views
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Works
  • Justin Carney Home, 2021 Archival pigment print 36 x 46 in 91.4 x 116.8 cm Edition of 5, Artist Proof (Edition record)
    Justin Carney
    Home, 2021
    Archival pigment print
    36 x 46 in
    91.4 x 116.8 cm
    Edition of 5, Artist Proof
    (Edition record)
  • A black and white photograph by Lola Ogbara of a woman dressed in antebellum maid attire holding a ceramic vessel to partially obscure her face. The photograph has an ornate black frame.
    Lola Ayisha Ogbara
    The Perfect Servant #1, 2021
    Still image of performance, inkjet print on archival paper in a satin black ornate frame.
    24 x 30 in
    61 x 76.2 cm
    Edition 1 of 5
    (Edition record)
  • A black and white framed photograph by Mark Anthony Brown Jr of a wooded mountain landscape. Overlaid on top of the glass are several pictures featuring children and families.
    Mark Anthony Brown Jr.
    Who can see forever on a clear day?, 2023
    Photocollage, archival pigment prints
    30 1/4 x 24 3/4 in (framed)
    76.8 x 62.9 cm
    Edition of 5
    (Edition record)
  • A black and white monotype print by John Alleyne. The image shows a part of a face of a Black man superimposed with disembodied dreadlocks.
    John Alleyne
    Protective Dreadlock Stylez (style no. 3), 2023
    Signed bottom right corner
    Silkscreen monotype on paper
    24 x 19 in
    61 x 48.3 cm
  • A black and white monotype print by John Alleyne. The image shows a part of a face of a Black man superimposed with disembodied dreadlocks.
    John Alleyne
    Protective Dreadlock Stylez (style no. 6), 2023
    Silkscreen monotype on paper
    24 x 19 in
    61 x 48.3 cm
  • A black and white monotype print by John Alleyne. The image shows a part of a face of a Black man superimposed with disembodied dreadlocks.
    John Alleyne
    Protective Dreadlock Stylez (style no. 7), 2023
    Silkscreen monotype on paper
    24 x 19 in
    61 x 48.3 cm
  • Darryl DeAngelo Terrell 192°S 29°4'16" N 80°57'45” W New Smyrna Beach, FL, 2024 Archival Inkjet Print 24 x 36 in (each) 61 x 91.4 cm Exhibition print (AP) (Edition record)
    Darryl DeAngelo Terrell
    192°S 29°4'16" N 80°57'45” W New Smyrna Beach, FL, 2024
    Archival Inkjet Print
    24 x 36 in (each)
    61 x 91.4 cm
    Exhibition print (AP)
    (Edition record)
  • A black and white photograph by Mark Anthony Brown Jr. of a black and white wooded mountain landscape. Tucked into the edge of the brown frame are two smaller black and white found photographs.
    Mark Anthony Brown Jr.
    Finally, I can rest (Black Mountains), 2022
    photocollage, archival pigment prints, found polaroids
    30 1/4 x 24 3/4 in
    76.8 x 62.9 cm
  • A custom wall sculpture by Felli Maynard made of found materials including treated cow hide, dried plant parts, a large rusted metal nail, a cinderblock. The sculpture is situated precariously in an alcove touching every wall around it.
    Felicita "Felli" Maynard
    Junto, te aplico, 2022
    Leather, palm, iron, fish and plantain canola oil used to fry fish and plantain, bark
    Variable
  • Alternate view of A sculpture by Felli Maynard made up of found objects including old bricks, rusted chains, and dried plant parts
    Felicita "Felli" Maynard
    Outlast, 2023
    Mixed media, bricks, palm, iron, chain, birch bark
    Dimensions variable
  • A fabric sculpture by Ambrose Rhapsody Murray in predominately pink and purple hues. Found images of people, cars parts, a ceiling fan are printed on muslin are collaged throughout. The sculpture suspends from the ceiling of the gallery space.
    Ambrose Rhapsody Murray
    Untitled, 2024
    Hand-dyed silks, sublimation prints on muslin and silk
    108 x 71 in
    274.3 x 180.3 cm
  • A black and white lenticular photograph by Lola Ayisha Ogbara. The series of images shows a woman dressed in Antebellum maid attire dropping a ceramic dish onto the ground where it shatters at her feet.
    Lola Ayisha Ogbara
    She Who Destroys, 2021
    Still images of performance, framed lenticular print
    40 x 30 in
    101.6 x 76.2 cm
  • A ceramic stoneware object by Lola Ayisha Ogbara. The rounded cerulean object has a smooth glaze with a seemingly woven texture. It sits atop a custom metal three legged base
    Lola Ayisha Ogbara
    BlueBlack (Forget Me Knot series), 2023
    Ceramic stoneware with custom glaze, custom metal base
  • A black ceramic vessel by Lola Ayisha Ogbara. The surface texture is that of porous stone with a woven design sculpted into the sides and around.
    Lola Ayisha Ogbara
    Forget Me Knot (Vase), 2023
    Ceramic stoneware with custom glaze
    15 x 22 3/4 x 15 in
    38.1 x 57.8 x 38.1 cm
  • A collaged painting on canvas by Sean Clark. Behind the collaged abstraction, a pair of legs bent at the knees are visible behind the words I WILL REST FOR YOU
    Sean G. Clark
    I Will Rest For You, 2023
    Acrylic, Oil Pastel, Textile on Paper
    72 x 84 in
    182.9 x 213.4 cm
  • A photograph by Mark Anthony Brown Jr. of a memorial composed of empty bottles and flowers on a sidewalk. Two 4x6 glossy images of a group of young Black men are fitted into the edge of the white frame.
    Mark Anthony Brown Jr.
    Neverdier/LLSO, 2023
    photocollage, archival pigment prints
    45 x 30 in
    114.3 x 76.2 cm
    Open edition
    (Edition record)
  • An assemblage sculpture by Jen Everett featuring a vintage speaker, paperback books by Alice Walker and Toni Morrison, two vintage radios, a pink 110 camera, and casette tapes by Donna Summers, Janet Jackson, Anita Baker, and SWV
    Jen Everett
    Untitled (from the series Unheard Sounds, Come Through), 2024
    Found objects
    Variable, approximately 33 x 12 inches
Exhibition Text

Sibyl is pleased to present I’ve been here before…, a group exhibition curated by multidisciplinary artist and scholar Shabez Jamal (b. 1992, St. Louis,  MO). I’ve been here before… is a group exhibition that explores the recursive nature of photography through the lenses of ten emerging Black artists in the United States. The exhibition examines the relationship between the Black community and the photograph and how, through interactions with the medium, Black people have been able to create and recognize language and symbols that are vital to the continued formation of an ever-changing Black artistic canon.

 

Though many of the artists engage with different media including video, installation, painting, ceramic, sound, and sculpture, all ground their practice in the photographic image. Each artist recognizes the inherent ability of the photograph to conjure simultaneous feelings of loss and restoration. The memorial nature of the photograph allows space for the artist to look back with a knowing eye, and to generate new futures from the images and ideas of the past. 

 

Curator Shabez Jamal directly cites Teena Marie’s song “Deja Vu” for its descriptions of many cosmic returns to both physical and emotional spaces. The photograph has a unique capacity to transport its viewer backwards and forwards through time, as Shawn Michelle Smith notes in her book Photographic Returns. Its potent connection to memory and potential to freeze and capture time makes photography a crucial source for those concerned with engaging the past in service of a better future.

 

I’ve been here before… features work by John Alleyne, Justin Carney, Mark Anthony Brown Jr., Sean G. Clark, Jen Everett, Felicita “Felli” Maynard, Ambrose Rhapsody Murray, Lola Ayisha Ogbara, Kristina Kay Robinson, and Darryl DeAngelo Terrell
 
About Shabez Jamal

 

Donny Bradfield (b. 1992, St. Louis) better known as Shabez Jamal, is an interdisciplinary artist based in New Orleans, LA. Their work, rooted in still portraiture, experimental video, and performance, interrogates physical, political, and social-economical space by using queerness, not as a means of speaking about sexuality, but as a catalyst to challenge varying power relations. Often turning the lens on themself, Jamal utilizes self-portraiture as a means of radically redefining the parameters of racial and sexual identity. Jamal received their BIS from the University of Missouri - St. Louis in 2019 and received their MFA from Tulane University in the spring of 2022 where they were also awarded a Mellon Community-Engaged Research Fellowship. In 2020 Jamal was also an inaugural member of Harvard Universities Commonwealth: In the city Fellowship.

 
Download Press Release
Press
  • An image of a mountain range in black and white by Mark Anthony Brown Jr. Two black and white found photographs of a man laying on a bench are tucked into the edges of the frame on either side of the image.

    Artists Push Photography Across Time and Into New Material Space in i’ve been here before

    Emily Alessandrini, The Offing, April 26, 2024
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