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Here's what I was thinking: Inaugural Exhibition

Past exhibition
29 October 2022 - 14 January 2023
  • Installation Views
  • Works
  • Exhibition Text
Installation Views
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Works
  • A painting by Paige DeVries of a single palm tree in an urban space lit by car headlights in the evening. Around it are small patches of grass and several streetlights.
    Paige Devries
    Parking Lot, 2022
    Oil on canvas
    40 x 30 in
    101.6 x 76.2 cm
  • An abstract ceramic sculpture by Emily DiPalo in the shape of a black ghost. The top is pointed and there are random holes throughout.
    Emily DiPalo
    Ghost 02
    Clay, underglaze
    11 1/2 x 7 x 8 in
    29.2 x 17.8 x 20.3 cm
  • Shelby Little, La Luna de Milis, 2022
    Shelby Little, La Luna de Milis, 2022
  • An abstract quilt by Sadie Sheldon made of recycled materials. The shapes are rendered in various shades of teal, yellow, peach, and purple. The cloth frame is red.
    Sadie Sheldon IN EACH NEW ROOM YOU FIND YOUR HARMONIOUS ROLE NO. 1 Found textiles 48 x 48 in 121.9 x 121.9 cm
  • Masaru Suyama, He is at such a place again
    Masaru Suyama, He is at such a place again
  • A highly detailed graphite drawing by Erica Westenberger of two female figures with twisting intertwining limbs in an interior domestic space. Past them out the window is a garden with plants whose stems mimic the undulating movement of the figures' limbs.
    Erica Westenberger
    Dyads Blink to Linger
    Graphite on paper
    20 x 16 in
    50.8 x 40.6 cm
  • A painting by Jen Keltos of a green and purple living room, with a television on in the background
    Jen Keltos
    Harry and Zinnia, 2021
    Oil on panel
    8 x 10 in
    20.3 x 25.4 cm
  • A rectangular mosaic by Leah Shirley depicting a green and white hawk moth on a solid brown and black background, little flecks of white and lavender glass dispersed throughout. There is a string hanging from the bottom of the rectangular mosaic with glass beads attached to it.
    Leah Shirley
    Feel Free (Hawk Moth), 2022
    Glass, ceramic, grout, wood, freshwater pearls, silk
    60 x 8 x 3/4 in
    152.4 x 20.3 x 1.9 cm
  • A painting by Seth Becker of a dog up on its hind legs against a dark background. The dog is wearing a lilac rabbit mask and sits within a thin red circle on the ground.
    Seth Becker Dog in a Rabbit Mask, 2022 Oil on panel 12 x 8 1/2 in 30.5 x 21.6 cm
  • Ama Torres, Leo's Butterfly, Västeras, Sweden, 2022
    Ama Torres, Leo's Butterfly, Västeras, Sweden, 2022
  • A black and white photograph by Spencer Ainsley of a single story house in North Carolina buried in kudzu vines.
    Spencer Ainsley
    Kudzu, circa 1990
    14 x 9 3/8 in
    35.6 x 23.9 cm
  • Shabez Jamal, in remembrance of us, 2022
    Shabez Jamal, in remembrance of us, 2022
  • A painting by Seth Becker of a screeching bat.
    Seth Becker
    Screeching Brown Bat, 2022
    Signed on back
    Oil on panel
    8 1/2 x 8 1/2 in
    21.6 x 21.6 cm
  • Kjelshus Collins, Riot Guys: Brick Top, 2021
    Kjelshus Collins, Riot Guys: Brick Top, 2021
  • Paige Devries, Trophies, 2021
    Paige Devries, Trophies, 2021
  • Kjelshus Collins Zadora & Yokai, 2020 Stoneware and glaze 21 x 16 x 10 in 53.3 x 40.6 x 25.4 cm
    Kjelshus Collins Zadora & Yokai, 2020 Stoneware and glaze 21 x 16 x 10 in 53.3 x 40.6 x 25.4 cm
  • Christian Dinh, All Seasons, Safe and Sound, 2022
    Christian Dinh, All Seasons, Safe and Sound, 2022
  • A paper mache sculpture by Kendall Edell of a sandwich with assorted meats, cheeses, and condiments
    Kendall Edell
    To Caroline, 2021
    Clay and paper mache
    7 1/2 x 8 x 5 in
    19.1 x 20.3 x 12.7 cm
  • Apple Cat Jam, The Stoop Before the Mind, 2022
    Apple Cat Jam, The Stoop Before the Mind, 2022
  • Marka Kiley, Mitta 01, 2022
    Marka Kiley, Mitta 01, 2022
  • Marka Kiley, Mitta 02, 2022
    Marka Kiley, Mitta 02, 2022
  • Marka Kiley, Mitta 03, 2022
    Marka Kiley, Mitta 03, 2022
  • An abstract painting by Joi Murugavell of colorful cartoon figures and random words on a square plywood panel.
    Joi Murugavell
    Empathy for Pants on Fire, 2018
    Acrylic, oil stick, wax crayon, collage on wood panel
    24 x 24 in
    61 x 61 cm
  • Maddie Stratton, Sitting In (Standing Out)
    Maddie Stratton, Sitting In (Standing Out)
  • A painting by Masaru Suyama of a set of disembodied hands playing the "knife game" on a white table against a lime green wall with many cracks in it. There is a blue curtain in the corner, and a yellow lightbulb at the top of the frame.
    Masaru Suyama
    The knife game
    Signed by the artist
    Acrylic on canvas
    24 x 28 3/4 in
    61 x 73 cm
  • Jane Tardo, Indoor Catboyfriends (Medium), 2022
    Jane Tardo, Indoor Catboyfriends (Medium), 2022
  • Ama Torres, As above, so below, 2022
    Ama Torres, As above, so below, 2022
Exhibition Text

Sibyl Gallery exists within my home. My partner and I live above the gallery space with our little dog. Our house was built in 2007 by the sole owner and occupant before us, Danny Keiffer. An accomplished carpenter, Keiffer built the house out of concrete and steel, a bunker designed to withstand whatever should befall New Orleans in the years to come. The house does not impose itself on its surroundings–it was simply built to last. On the ground floor he built a workshop and filled it with wood and metalworking tools. I made very few changes, keeping the honey-colored plywood walls with notes scrawled in pencil, a testament to the space’s original purpose even as it becomes a place for art. 

 

I wanted to create a different kind of gallery from ones I had experienced in the past. This gallery should feel warm and accessible, without compromising the caliber of artworks being shown. In this space I prioritize accessibility, not by showing art that feels easy, but by opening myself and my home to allow for conversation and fresh discovery. The raw, unprecious nature of the space opens it up to endless possibilities: performance art, installation, community events, meditation classes, and the like.

 

There is no overarching narrative theme among these works, just the connections I continue to make as I pursue my passion for seeing and learning about art and working closely with artists. The artists shown are both old friends and new. Their works make me want to read and think and try to put into words how their work makes me feel. Many of these artists have agreed to future projects with the gallery, and as such, Here’s what I was thinking could be thought of as an introduction to the program. 

 

This is a space to spend time, ask questions, engage in the act of prolonged conscious observation that is so rare. In my years working in the art world, I have realized the importance of community. Since moving back to New Orleans from New York, my community has expanded, and the result is this gallery and this exhibition. Art is community. Microcosms of the global art world emerge and flourish because curious and creative people find each other. I have encountered such immense talent within this small city, and that talent finds its like in others. In the past, I tried to make my personal experience of the art world smaller and more exclusive. Now with my own space and program, I hope to expand it, to open my mind and see everything. I hope that Sibyl can play a role in the continued expansion of the arts network and community, both locally and beyond.  


Here’s what I was thinking contains works by Spencer Ainsley, Seth Becker, Kjelshus Collins, Paige DeVries, Emily DiPalo, Christian Dinh, Kendall Edell, Apple Cat Jam, Shabez Jamal, Jen Keltos, Marka Kiley, Shelby Little, Joi Murugavell, Sadie Sheldon, Leah Shirley, Maddie Stratton, Suyama Masaru, Jane Tardo, Ama Torres, and Erica Westenberger.
 

-Katherine Lauricella Ainsley

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